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I shall not mention what was the sum of money which Mr Arthur Pendennis finally received for the first edition of his novel of `Walter Lorraine’ lest other young literary aspirants should expect to be as lucky as he was, and unprofessional persons forsake their own callings, whatever they may be, for the sake of supplying the world with novels, whereof there is already a sufficiency. Let no young people be misled and rush fatally into romance-writing: for one book which succeeds let them remember the many that fail, I do not say deservedly or otherwise, and wholesomely abstain: or if they venture, at least let them do so at their own peril. As for those who have already written novels, this warning is not addressed, of course, to them. Let them take their wares to market: let them apply to Bacon and Bungay, and all the publishers in the Row, or the metropolis, and may they be happy in their ventures! This world is so wide, and the tastes of mankind happily so various, that there is always a chance for every man, and he may win the prize by his genius or by his good fortune. But what is the chance of success or failure; of obtaining popularity, or of holding it when achieved? One man goes over the ice, which bears him, and a score who follow flounder in. In fine, Mr Pendennis’s was an exceptional case, and applies to himself only – and I assert solemnly, and will to the last maintain, that it is one thing to write a novel, and another to get money for it.
William Makepeace Thackeray, The History of Pendennis (1848-1850)
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It was happening to me then, as I sat frozen in my seat, staring at the picture of Miss Subways, February 1943, who loves New York and spends her spare time writing to her two officer-brothers in the Army and Navy. The heavy doors of the mind swung on their hinges. I was back in the convent, a pale new girl sitting in the front of the study hall next to a pretty, popular eighth-grader, whom I bored and who resented having me for a deskmate. I see myself perfectly: I am ambitious, I wish to make friends with the most exciting and powerful girls; at the same time, I am naive, without stratagems, for I think that this project of mine will be readily accomplished, that I have only to be myself. The first rebuffs startle me. I look around and see that there is a social pyramid here and that I and my classmates are on the bottom. I study the disposition of stresses and strains and discover that two girls, Elinor Henehan and Mary Heinrichs, are important, and that their approval is essential to my happiness.
Mary McCarthy, "C.Y.E." in Mary McCarthy, Cast a Cold Eye (1950)
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It was to be expected that his parents and sisters should be passionately attached to him, and natural affection and pride were immensely heightened by the circumstance of his extraordinary good looks. In him the Brudenell beauty had come to flower. He was tall, with wide shoulders tapering to a narrow waist, his hair was golden, his eyes flashing sapphire blue, his nose aristocratic, his bearing proud. If there was a fault it was that the lower part of his face was oddly long and narrow so that sometimes one was surprised to catch an obstinate, almost a foxy, look. But the boy had dash and gallantry that were irresistible. He did not know what fear was. A superb and reckless horseman, he risked his neck on the most dangerous brutes. No tree was too tall for him to climb, no tower too high to scale. He excelled in swordsmanship and promised to be a first-class shot. He had in addition to courage another characteristic which impressed itself on all who met him. He was, alas, unusually stupid; in fact, as Greville pronounced later, an ass. The melancholy truth was that his glorious golden head had nothing in it.
Cecil Woodham-Smith, The Reason Why (1953)
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Mr. Edward Chaworth of Medenham was a well-disposed, good-natured man with an adequate fortune, an amiable wife and a numerous family: he thought the world an excellent place, and he could suggest no way in which it could be improved, except for the poachers and the Whigs – they would be abolished in an ideal world, and the trout in his stream would be a trifle larger.
Patrick O’Brian, The Unknown Shore (1959) (opening paragraph)
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