WINNERS OF THE 2006 ONE PARAGRAPH WRITING COMPETITION
First Place – Jordan Hartt
My mother dealt with Dean’s absence by cleaning. Every rainy morning she got up early to survey the house and, no matter how spotless it looked, at least to me, she would tug chemical sprays from underneath the sink and roll the sleeves of her flower print shirts up to her strong elbows. On weekends, if I lingered too long in the kitchen, she dropped a bottle of bleach in my hand and sent me out to the driveway to kill the moss that grew up through the cracks in our driveway. There, I would pretend I was a Chinook helicopter, flying over Viet Cong positions, dropping napalm onto enemy villages, re-enacting battle scenes that I read in my brother’s letters, or saw on the evening news, which I watched with my father. I’d sit cross-legged – we still called it Indian style, back then – in front of my father’s easy chair watching the boxy television, as the early-evening westerns – pistols firing into pine forests, stealthy Indians, blank-faced cowboys on horseback – seamlessly became, after dinner, footage of the war: M-16's firing into dense jungle, stealthy Viet Cong, and gray, blank-faced helicopters.
Jordan Hartt is the editor for Experience, Centrum’s magazine for the creative life. He holds a Master in Fine Arts degree from the University of Idaho. His writing has appeared in Another Chicago Magazine, Bellingham Weekly, Black Zinnias, and Colere. This paragraph is from a work in progress.
Second Place – Magdalen Powers
Nowadays, the kids are rife with orthodontia and ennui. But in 1976, when my sister and I were twelve, the next-door neighbor kids had pinworms and permanent Kool-Aid mustaches. We weren’t allowed to eat at their house after our mother got us to admit one day that we’d had peanut-butter-and-brown-sugar sandwiches for lunch there. And not even "real" peanut butter and bread, but Skippy and Wonder – glorious, forbidden things that kept us sneaking back to the neighbors’, we knew, unwholesome house, where Brother and Sister ate and ate, but were always thin and sallow, their eyes dark-circled; where their father, the sheriff – some long-ago winter when the kids lost their hamsters in the warped baseboards and roiling dust clouds of their bedroom – rigged a string between a shotgun trigger and the woodstove door, for Santa.
Magdalen Powers describes herself as a decreasingly peripatetic lapsed poet who currently attends the MFA program, in fiction, at the University of Florida. Her work has appeared in 5_Trope, The Morning News, Pangolin Papers, Surgery of Modern Warfare, and Paragraph. She can be found on the web at Fool's Paradise. Her latest chapbook, The Heart Is Also a Furnace, is from Future Tense Books.
Third Place – Janis Butler Holm
The winner of third place in the tpotd writing competition, Janis Butler Holm, chose to reserve publication here of her paragraph so that it may be revised and possibly included in a longer work.
Janis Butler Holm lives in Athens, Ohio, where she has served as Associate Editor for Wide Angle, the film journal. Her essays, stories, poems, and performance pieces have appeared in multiple magazines.
Honorable Mention – Molly Ritvo
My mother is a quiet woman who speaks softly. She has graying hair and walks in faint steps around our home as if she is afraid she will crack the floor. Her hands don’t have the heavy quality that my father’s have. My father works in a glove factory. His hands are rough and dry from the constant hauling of boxes up on the conveyor belt. Once my father’s friend got his index finger chopped off because he didn’t remove his hand in time. My mother’s hands are timid as they rest in her lap after dinner while she watches the ocean wave softly to her in the moonlight. The ocean is quiet and gray and still most of the time, even on blistering hot days when tourists come from cities and sit on their big, colorful towels. My mother believes in the mystery of the ocean. She believes that our souls pass on to rest in those waters after departing from this earthly land. Before I go to school, I see her looking at the ocean through the dew on the window panes and listening to the whispers of the wind and the sighs of the water washing over the jagged rocks. I let my eleven year old mind imagine what my mother thinks about in those hushed moments because she doesn’t tell me.
Molly Ritvo was born and raised in Montpelier, Vermont. She graduated from Tufts University in 2005 and is currently pursuing her MFA from Emerson College. Besides working on her first novel, she is also a freelance writer and a writing tutor. Her fiction, poetry, and nonfiction has been published in SamizDada literary magazine, Gauge Poetry Journal, The Jewish Advocate, JVibe Magazine, and Brookline Our Town Magazine.
Honorable Mention – Charlene Finn
Resting a moment by her garden, Kate saw the pickers arriving for hire, coming up the lane from the county road. More were behind them. A crowd. Children of all sizes dashed ahead of the adults carrying bundles in both hands or balanced on their shoulders. A few women kept pace with their men. Some women clustered together, talking in quick, easy Spanish. Their sound seemed to rise out of the trees. Shades of brown and cinnamon, faces, bare forearms, legs beneath skirts, mostly Mexican, or Mexican-American and a few Anglos in the group. Two pickups – Chevys – coming from behind, pumped the horn to nudge the walkers from the road, forcing them into the orchard where the trees broke their gatherings apart. One pickup after the other pulled into whatever space between the trees they could find to park. Pick-up beds were jammed with people. So many Kate couldn’t recognize anyone. Already the children were leaping out, the younger ones reaching to be handed down to outstretched arms. Once on the ground, they were cautioned by the adults – don’t move. For a moment, the kids listened, then they were off, scattering like goats through the trees. She had envied these kids when she was young, mistaking what she thought they had as freedom.
Charlene Finn is a fiction writer in Seattle, Washington. She received her MFA in 1998 from Warren Wilson College MFA for Writers program. In 2004, she received the Washington State Artist Trust literature fellowship for an excerpt from her novel, Uneven Ground, now out for submission with agents. In April 2002, she was awarded a residency at Hedgebrook to work on the novel. The story "Uneven Ground" was published in Potomac Review (Spring, 2004). Charlene is currently working on her second novel, Graffiti.
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